| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Academic Disocurse |
46: 224-225 |
| Achebe, Chinua |
35: 235-243 |
| Acker, Kathy |
39: 13-31 |
| Ackroyd,
Peter |
17: 197-210;
28: 127-138;
38: 255-260;
40: 407-409;
48: 163-177 |
| AElfric |
16:
9-20 |
| African-American
Literature |
9:
146-147; 21:
19-34; 21: 35-40;
21: 47-58 |
| Aiken,
Conrad |
19/20:
315-321 |
| Aitchinson,
Jean |
5: 149;
15: 219 |
| Alba,
Asunción |
28: 207-211 |
| Alcaraz,
Enrique |
4:
179; 6: 123;
24: 159; 25:
171-173 |
| Alexander,
P. |
6:
112-115 |
| Alexie, Sherman |
39:
115-134 |
| Alfred (King) |
16:
9-20 |
| Allen,
H.B. |
5: 141-143 |
| Almagro
Jiménez, M. |
11: 181 |
| American Chica |
48:
105-117 |
| American
Dream (An) |
16:
21-40 |
| Amoretti
& Epithalamion |
9:
144-145 |
| Anaya, Rudolfo |
41:
341-357; 45:
47-65 |
| Anderson, Laurie |
50:
201-212 |
| Andreas-Salomé, Lou |
48:
15-29 |
| Anglo-Saxon
Studies |
13/14:
289-297 |
| Anabasis: Vision Project |
52:
105-127 |
| Answerable to None: Berrigan,
Bronk, and the American Real |
41:
283-285 |
| Anthologies |
52:
9-142 |
| Antony
and Cleopatra |
12: 55-73 |
| Aragay
i Sastre, Mireia |
26/27:
240-241 |
| Arana, Marie |
48:
105-117 |
| Arbus, Diane |
53: 183-200 |
| Armantrout,
Rae |
37:
143-163 |
| Armies of the Moon (The) |
48:
179-192 |
| Arnold
Anthology of Post-colonial Literatures (The) |
32/33:
259-261 |
| Art
& Con |
18:
66-67 |
| As
I Lay Dying |
32/33:
207-215 |
| As
You Like It |
9:
144-145 |
| Ashcroft,
Bill |
32/33:
253-255 |
| Assemblage: The Women's New
Media Gallery |
52:
105-127 |
| Atreides, Bel |
40:
397-401 |
| Atwood,
Margaret |
19/20:
211-219 |
| Austen,
Jane |
5:
156-157; 22/23:
9-21 |
| Authentic Assessment for
English Language Learners |
38:
271-272 |
| Autobiography |
48:
205-221 |
| Avantos,
Swan |
6:
95-99 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Babel Tower |
50:
145-160 |
| Backward Glance (A) |
48:
147-162 |
| Bacon, Francis |
32/33: 107-130 |
| Baena, Rosalía |
45:
272 |
| Ballachulish Beat (The) |
41:
43-54 |
| Ballad
of Peckham Rye (The) |
22/23:
51-68 |
| Ballard,
J.C. |
10:
81-93; 17: 131-143 |
| Ballyn,
Susan |
17:
321-323 |
| Bambara,
Toni Cade |
11:
133-140; 11:
141-153 |
| Banks, Iain M. |
41: 197-205 |
| Barker,
George |
1:
47-70 |
| Barn
Burning |
29: 217-224 |
| Barnes,
Julian |
17:
197-210; 36:
173-183; 39:
295-305 |
| Barone, Dennis |
c |
| Barron,
W.R.$J. |
15: 195-200 |
| Barth,
John |
5: 133-135 |
| Barthelme,
Donald |
6:
104-106 |
| Bassnett-McGuire,
S. |
3:
126 |
| Battle
of Maldon (The) |
17:
269-280 |
| Bean,
M.C. |
8: 179-181 |
| Beat Generation |
48: 265-269 |
| Beckett,
Samuel |
10:
183-193; 12:
89-96; 12: 97-111;
15: 7-23; 16:
155-166; 26/27:
239-240 |
| Beckson,
K. |
3:
107-108 |
| Behn, Aphra |
50:
87-100 |
| Being/s in Transit: Travelling,
Migration, Dislocation |
45:
269 |
| Belsey,
C. |
5:
154 |
| Benskin,
M. |
5:
129-132 |
| Benson,
J.J. |
9:
137-138 |
| Benson,
Morton |
15:
217-218 |
| Beowulf |
3:
124; 17: 269-280;
21: 229-240 |
| Bercovitch,
Sacvan |
18:
281 |
| Berman,
Art |
17:
331-333 |
| Bernárdez,
Enrique |
6: 107-111 |
| Best American Poetry 2003
(The) |
52:
59-68 |
| Between History and Romance:
Travel Writing on Spain in the Early Nineteenth-Century United States |
43:
301-304 |
| Bhaggiyadatta, Krisantha Sri |
53:
149-161 |
| Bialystok,
Ellen |
26/27:
213-216 |
| Bible
in Spain (The) |
32/33:
217-226 |
| Big Man (The) |
45:
151-167 |
| Binding,
T.J. |
10: 223-224 |
| Birthday
Party (The) |
24:
73-88 |
| Bishop,
Elizabeth |
37:
165-171; 37:
231-235; 42:
279-288 |
| Blake,
William |
3:
57-65; 12: 147-151 |
| Blanchard,
M.E. |
5:
156 |
| Bloody Chamber (The) |
45: 169-183 |
| Blue
Hotel (The) |
19/20:
37-50 |
| Bluest
Eye (The) |
22/23:
225-232 |
| Bly,
Robert |
11:
162-164 |
| Bold,
Alan |
16:
275-278 |
| Bolt,
Robert |
24:
133-140 |
| Bone |
43:
83-99 |
| Book
of Hours (A) |
18:
172-177 |
| Booth,
John Wilkes |
29:
9-21 |
| Border |
43:
9-189 |
| Borrow,
George P. |
32/33:
217-226 |
| Bowers,
R. |
26/27:
225-232 |
| Bowles, Jane |
46:
115-130 |
| Boyd,
William |
35:
47-59; 39: 323-335 |
| Bradbury,
Malcolm |
8:
188; 17: 169-195;
17: 315-32 |
| Bradley,
S.A.J. |
6: 125 |
| Bravo,
Antonio |
26/27:
238-239 |
| Bravo,
J.M. |
3:
124-125 |
| Bravo,
A. |
3:
124 |
| Bread and Butter |
41:
43-54 |
| Briefing
for a Descent Into Hell |
26/27:
85-101 |
| British Newspapers |
42:
289-307 |
| Brito,
Manuel |
30/31:
257-258 |
| Brontë,
Anne |
29:
187-196 |
| Brontë,
Emily |
15:
169-179 |
| Brooke-Rose,
Christine |
15:
217 |
| Brookner,
Anita |
17:
97-102; 48: 89-103 |
| Brooks,
Gwendolyn |
37:
55-67 |
| Brossard, Nicole |
39:
147-168 |
| Brown,
E. |
3:
125 |
| Brown,
George Mackay |
15:
139-146 |
| Brumfit,
C. |
26/27:
225-232 |
| Buddha
of Suburbia (The) |
28:
53-63; 28: 65-79 |
| Bunge,
Mario |
7:
148-149 |
| Burchfield,
Robert |
18:
273-274 |
| Burchfield,
R.W. |
5:
144-146 |
| Burden,
Robert |
11:
171-175 |
| Burroughs,
Margaret |
37:
55-67 |
| Burroughs, William S. |
39:
61-77 |
| Burrow,
J.A. |
6: 124 |
| Burton, Richard F. |
41:
287-293; 42:
359-363 |
| Burton o la pasión
Oriental |
42:
359-363 |
| Butala, Sharon |
43:
37-58 |
| Byatt,
A.S. |
19/20:
191-210; 48:
61-75; 50: 145-160 |
| Byrnne,
Don |
1:
73-74 |
| Byron,
Lord |
24:
19-32 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Cabrera, Miguel Ángel |
46:
227-229 |
| Cahan, Abraham |
39:
209-227 |
| Calamiterror |
1:
47-70 |
| Cáliz Montoro, Carmen |
43:
255-257 |
| Calling Western Union |
52:
129-135 |
| Campbell, Lyle |
40:
411-413 |
| Campbell,
Roy |
6:
112-115 |
| Canary
Islands |
4: 51-56;
43: 209-218;
46: 199-219 |
| Canada |
43: 101-117 |
| Canícula:
Snapshots of a Girl EN LA FRONTERA |
37:
225-226 |
| Canterbury
Tales (The) |
4:
177; 7: 1-20;
10: 31-42; 11:
47-68; 39: 275-294 |
| Cantares completos |
42:
364-365 |
| Cantos (The) |
42:
364-365 |
| Cantú,
Norma Elia |
37:
225-226 |
| Capecchi,
L. |
6:
118-119 |
| Caperucita en Manhattan |
45: 169-183 |
| Capper,
Charles |
28:
224 |
| Cappiello,
Rosa |
28:
139-149 |
| Caramés,
J.L. |
3:
123 |
| Carlyle,
Thomas |
9:
55-69 |
| Carnero
González, J. |
4: 179 |
| Carroll,
Lewis |
4: 178 |
| Carter,
Angela |
17: 103-111;
45: 169-183 |
| Carter, Ronald |
40: 415-421 |
| Castillo,
Ana |
37:
69-87 |
| Castro
Calvín, José |
29:
227-233 |
| Caudwell,
Christopher |
16:
131-153 |
| Caxton,
William |
10: 95-118;
29: 151-161 |
| Cervantes,
Miguel de |
16:
213-224; 17:
237-244 |
| Chamber
Music, Poems Penyeach aud Other Poems |
9:
143 |
| Changing
Places |
32/33:
131-140 |
| Chapman,
R. |
6:
125 |
| Chargaff,
Erwin |
7:
107-118 |
| Chaucer,
Geoffrey |
4:
177; 6: 73-78;
7: 1-20; 10:
31-42; 10: 175-182;
11: 47-68; 30/31:
201-226; 32/33:
153-162; 39:
275-294; 45:
233-244; 47:
59-71; 47: 87-99;
47: 101-114;
48: 193-203 |
| Child
in Time (The) |
17: 113-129 |
| Chomsky,
Noam |
26/27:
217-224 |
| Choy, Wayson |
43:
83-99 |
| Christophersen,
Paul |
3: 87-95 |
| Churchill,
Caryl |
12:
153-160 |
| Clare,
John |
29:
179-185 |
| Clemoes,
Peter |
13/14:
289-297 |
| Cliff, Michele |
43: 119-132 |
| Clock
Without Hands |
13/14:
153-179 |
| Cloud
Nine |
12:
153-160 |
| Collins
Cobuild Dictionary |
15:
218 |
| Cohen,
Leonard |
26/27:
163-167 |
| Cold War |
49:
215-232 |
| Coleman, Julie |
44:
309-313 |
| Coleridge,
S.T. |
9: 144-145 |
| Collado
Rodríguez, Francisco |
24: 160;
24: 161-163 |
| Colonizer and Colonized |
45:
273 |
| Comparative
Linguistics |
17:
328-330 |
| Cognitive Linguiistics |
42:
309-340 |
| Coltrane, John |
52:
59-68 |
| Complaynt
of Scotland (The) |
32/33:
77-91 |
| Computational
Linguistics |
16:
288; 16: 288-289;
40: 95-113 |
| Comrie,
B. |
7:
152 |
| Conrad,
Joseph |
6:
27-45; 7: 151;
35: 235-243;
53: 204-205 |
| Conradi,
P. |
8:
188 |
| Conroy,
Frank |
16:
193-204 |
| Consider Phlebas |
41: 197-205 |
| "Continuidad en los parques" |
43:
247-253 |
| Contrastive
Linguistics |
3:
99-100; 3: 125;
19/20: 127-146 |
| Conversations with Elizabeth
Bishop |
37:
231-235 |
| Cook,
V. |
28:
197-202; 34:
133-140 |
| Cooper,
James Fenimore |
6:
47-58 |
| Copenhagen |
50:
201-212 |
| Cornell, Joseph |
42:
267-278 |
| Corpi, Lucha |
42: 341-357 |
| Cortázar, Julio |
43:
247-253 |
| Courtney,
R. |
8: 182-183 |
| Coy, Javier |
42:
364-365 |
| Crane, Ralph |
45:
270-271 |
| Crane,
Stephen |
19/20:
37-50; 22/23:
129-143; 50:
301-303 |
| Creeley,
Robert |
2:
51-69; 13/14:
217-229; 15:
191-194 |
| Crespo
Allué, M.J. |
5:
156-157 |
| Critical Essays on the Myth
of the American Adam |
45:
274-275 |
| Crow |
19/20:
233-240 |
| Crusz, Rienzi |
53:
149-161 |
| Crying
of Lot 49 (The) |
19/20:
301-307; 22/23:
217-223 |
| Crystal,
David |
5: 113-128;
45: 278-279 |
| Cubí i Soler, Mariano |
52:
157-167 |
| Cuddon,
J.A. |
3: 107-108 |
| Culler,
J. |
4:
172-174 |
| Custom
of the Country (The) |
21:
131-139 |
| CybpherAnthology of Discontiguous
Literature (The) |
52:
105-127 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Eagleton, Terry |
38:
265-266 |
| Edward, Edward |
19/20:
147-160 |
| Eigner,
Larry |
18:
11-18 |
| Einstein's Dreams |
50:
181-199 |
| Einstein on the Beach |
50:
201-212 |
| Electronic Poetry Center |
52:
105-127 |
| Eliot,
T.S. |
4:
181; 6: 59-72;
6: 79-87; 10:
225-227; 16:
282-284; 53: 200-203 |
| Elliot,
Emory |
19/20:
331-333 |
| Ellis,
R. |
26/27:
197-212 |
| Ellison, Ralph |
39: 169-190 |
| Elphistone, Margaret |
41:
155-167 |
| Elsom,
J. |
4:
181 |
| Empire of the Senseless |
39: 13-31 |
| Endechas |
36:
185-192 |
| England |
4:
139-149 |
| Engler, Balz |
43: 260-262 |
| English |
44: 7-214;
53: 9-103 |
| English
as a Second Language |
38:
9-147; 48: 241-263;
53: 9-103 |
| English
Dialectology |
2: 1-25;
3: 74-84;
5: 1-25; 5:
27-58; 5: 129-132;
10: 95-118; 11:
81-106; 26/27:
57-84 |
| English
Grammar |
3:
87-95; 3: 105-106;
3: 127-128; 9:
71-85; 16: 253-262;
19/20: 9-19;
25: 13-23; 26/27:
105-118; 29:
109-125; 32/33:
19-31; 32/33:
33-43; 40: 13-35;
40: 171-188;
45: 245-265;
46: 7-112 |
| English
Language |
1:
1-19; 3: 121-122;
3: 122; 3:
125; 5: 113-128;
5: 141-143; 5:
149; 7: 21-38;
7: 87-94; 7:
99-105; 7: 119-133;
8: 33-56; 8:
81-97; 13/14:
299-300: 13/14:
305-306; 15:
219; 15: 219;
15: 219;
32/33: 19-31; 45:
245-265; 46:
7-112; 53: 9-103 |
| English
Language Teaching |
1:
73-74; 3: 126;
5: 154; 6: 120-121;
6: 123; 19/20:
323-327; 25:
55-65; 25: 95-108;
25: 163-169;
26/27: 225-231;
30/31: 227-239;
32/33: 9-18;
32/33: 45-60;
32/33: 61-76;
38: 9-147; 49:
29-48 |
| English
Morphology |
5:
157 |
| English
Music |
28:
127-138 |
| English
Phonetics |
3:
121; 7: 135-137;
8: 184-187; 10:
209-216; 32/33:
33-43 |
| English
for Specific Purposes |
7: 99-105;
48: 223-239 |
| English
Spelling |
3:
1-13; 4: 9-22 |
| English Studies |
43:
260-262 |
| English
Syntax |
3:
111-119; 3: 123;
3: 125; 4:
180; 5: 153;
5: 157; 7:
1-20; 7: 155-158;
8: 177-178; 8:
179-181; 10:
1-29; 13/14:
241-248; 16:
85-104; 16: 247-252;
30/31: 175-199;
30/31: 201-226;
45: 245-265 |
| Ernaux, Annie |
48:
15-29 |
| Español, , segunda
lengua en los Estados Unidos: de su enseñanza como idioma extranjero
en Norteamérica al bilingüismo (El) |
43: 305-306 |
| Ethan
Brand |
11:
180 |
| Eugene
Onegin |
24:
19-32 |
| European English Studies:
Contributions Towards the History of a Discipline |
43: 260-262 |
| Exilio del cisne: recorrido
impresionaista por la narrativa pionera de Edgar Allan Poe (El) |
40:
397-401 |
| AUTHOR
/ SUBJECT |
ISSUE
NO. : PAGES |
| Fabb, Nigel |
18:
275-277 |
| Fabi, Giulia |
45:
276-277 |
| Faces
in the Water |
35:
154-167 |
| Fall
of the House of Usher (The) |
8:
149-160; 21:
279-283 |
| Fanshawe |
41:
249-258 |
| Faulkner,
William |
6:
15-26; 19/20:
335-338; 29:
217-224; 32/33:
207-215 |
| Feenberg,
A. |
5:
151-152 |
| Feminism |
48:
9-162 |
| Fenton,
James |
12:
161-169 |
| Fernández,
Francisco |
5:
155; 49: 245-246 |
| Fielding,
Henry |
11:
69-80; 25: 111-116;
29: 43-56 |
| Film
Studies |
18:267-269 |
| Finlay,
Ian Hamilton |
15:
91-99 |
| First Confession |
45:
143-150 |
| Fish,
Stanley |
5:
151 |
| Fisher King (The) |
45: 205-214 |
| Flowerdew, John |
46: 224-225;
53: 95-103 |
| Fontenot,
Ch. |
9:
146-147 |
| Fontes, Montserrat |
45:
143-150 |
| Ford,
Boris |
18:
282 |
| Forster,
E.M. |
22/23:
83-100; 29: 197-206;
35: 77-89 |
| Foster, Edward |
41:
283-285 |
| Foucault,
Michel |
25:
175-179 |
| Fowler,
Roger |
18:
271-272 |
| Fowles,
John |
7:
39-59; 8: 188;
11: 171-175;
13/14: 77-107;
17: 245-261;
17: 263-266;
18: 221-229;
22/23: 69-82;
24: 119-129;
30/31: 129-150 |
| Frame,
Janet |
35:
154-167 |
| Franco, Francisco |
51:
85-102 |
| Fraser,
G.S. |
5:
150 |
| Frayn, Michael |
50:
201-212 |
| Freedom
of the City (The) |
32/33:
193-199 |
| French
Lieutenant’s Woman (The) |
13/14:
77-107 |
| Friedlander,
Benjamin |
18:
11-18 |
| Friel,
Brian |
32/33:
193-199 |
| Frye,
Northrop |
9:
123-128 |
| Functional Grammar |
40:
259-278; 42:
9-264; 44: 233-244 |
Funcionalismo y lingüística:
la Gramática
Funcional de Simon C. Dik |
50:
304-309 |
| Funny
Boy |
35:
91-102; 45: 121-141 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Haffenden, J. |
4: 162-166 |
| Hahn, Kimiko |
37:
199-218 |
| Haider, Jörg |
49:
157-178 |
| Halliday, M.A.K. |
40: 233-243 |
| Hamlet |
9:
41-54; 50: 57-69 |
| Handmaid’s
Tale (The) |
19/20:
211-219 |
| Harlem
Renaissance |
19/20:
177-190 |
| Harry Potter and the Chamber
of Secrets |
48:
61-75 |
| Harryman,
Carla |
37:
173-186 |
| Hartman,
G. F. |
5:
152 |
| Hartmann,
R. R. K. |
9:
146 |
| Hass, Renate |
43: 260-262 |
| Hawkes,
John |
11: 171-175 |
| Hawthorne,
Nathaniel |
7:
95-98; 11: 180;
41: 249-258 |
| Hazzard,
Shirley |
13/14:
249-258 |
| Heaney,
Seamus |
13/14:
109-123; 53: 123-136 |
| Heart
of Darkness |
6:
27-45 |
| Hedon
Ms. |
5:
27-58 |
| Hejinian,
Lyn |
18:
101-123 |
| Henríquez
Jiménez, Santiago |
38: 261-263 |
| Herbert,
George |
8:
139-147 |
| Héroes y amigos: masculinidad,
imperialismo y didactismo en la novela de aventuras británica, 1880-1914 |
46:
221-223 |
| Herrick,
Robert |
21:
165-177 |
| Hidalgo,
Pilar |
4:
179 ; 5: 148;
16: 270-274 |
| High-Rise |
10:
81-93 |
| Higher
Education Studies |
4:
107-137 |
| Highway, Tomson |
43:
145-159 |
| Hilfinger,
Ann |
21:
287-289 |
| Hill,
Geoffrey |
8:
57-79; 15: 181-189;
19/20: 101-112 |
| Historical
Linguistics |
3: 111-119;
3: 120; 4:
151-159; 4: 180;
5: 155; 7:
1-20; 7: 141-144;
7: 155-158; 8:
172-173; 8: 177-178;
8: 179-181; 9:
13-40; 10: 1-29;
10: 43-63; 10:
95-118; 11: 81-106;
15: 35-52; 15:
101-112; 16:
85-104; 16: 247-252;
18: 231-241;
22/23: 145-164;
22/23: 165-195;
24: 151-154;
24: 155-156;
26/27: 237-238;
29: 79-88;
30/31: 163-173; 30/31:
175-199; 30/31:
201-226; 40:
411-413 |
| Historical Linguistics: An
Introduction |
40:
411-413 |
| Historical
Syntax |
3: 14-45 |
| History of English Words
(A) |
41:
275-278 |
| History
of the World in 10 and a Half Chapters |
36:
173-183 |
| History
of Twentieth-century African Literatures (A) |
32/33:
257-258 |
| Hoban,
Russell |
11:
125-132 |
| Hollinger,
David A. |
28:
224 |
| Homage
to Catalonia |
2:
26 |
| Hook, Sidney |
45:
31-45 |
| Horowitz,
I.L. |
4:
175 |
| Hossain, Attia |
45:
191-119 |
| Hotel
du Lac |
17:
97-102 |
| Hothouse
(The) |
16:
121-130 |
| House of Mirth |
45:
217-231 |
| Housekeeping |
24:
49-72 |
| Howe,
Fanny |
37:
143-163 |
| Howe,
Florence |
13/14:
281-288 |
| Hughes, Geoffrey |
41:
275-278 |
| Hughes,
Ted |
3:
123; 19/20: 233-240;
43: 247-253 |
| Hunger
of Memory |
32/33:
183-191 |
| Hunter,
Kristin |
21:
109-114 |
| Hutcheon, Linda |
43:
179-189 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Labov, William |
19/20:
255-264 |
| "Laidlaw" Trilogy |
41:87-101 |
| Landau, Tina |
50:
201-212 |
| Language |
5:
149; 7: 148-149 |
| Language
Poetry |
18:
187-202; 19/20:
291-300; 26/27: 181-185 |
| Language
Teaching |
15:
218 |
| The Lanterne of LiZt |
47:
115-127 |
| Lass,
R. |
4:
151-159 |
| Last of the Savages (The) |
41:
259-278 |
| Last Testament of Oscar Wilde
(The) |
48:
163-177 |
| Latour, Bruno |
50: 21-35 |
| Lazarillo de Tormes (El) |
53:
163-181 |
| Lázaro, Luis Alberto |
52:
173-175 |
| Lauter,
P. |
10:
234-235 |
| Lawrence,
D.H. |
11:
25-34; 11: 35-46;
17: 295-303;
22/23: 37-49;
24: 160-161 |
| Learner
Autonomy |
38: 9-147 |
| Learning
Strategies |
38:9-147 |
| Learner
Training |
38: 9-147 |
| Le Doeuff, Michèle |
48:
61-75 |
| Leeuwen,
F. van |
4: 33-44 |
| Lehiste,
I. |
7: 141-144 |
| Lenguaje e Internet (El) |
45:
278-279 |
| León,
Tania |
35:
185-193 |
| Lessing,
Doris |
6:
89-94; 6: 125-126;
8: 99-117; 13/14:
275-280; 16:
279-281; 17:
53-65; 22/23: 249-255;
26/27: 85-101 |
| Letters
to Alice on First Reading Jane Austen |
35:
31-45 |
| Levertov,
Denise |
37:227-229;
40: 371-388 |
| Lewis,
Lloyds B. |
18:
282-283 |
| Lexicography |
2: 73-75;
5: 144-146; 6:
124; 9:
146; 13/14: 55-66;
15: 217-218;
15: 218; 16:
285-287; 25:
45-53; 44: 309-313 |
| Lexicology |
7:
1-20; 7: 153;
9: 13-40; 10:
43-63; 16: 225-237;
29: 89-108; 36:
9-155; 44:
309-313 |
| Lexicology, Semantics and
Lexicography |
44:
309-313 |
| Life of Nelson (The) |
41:
279-281 |
| Lightbown,
Patsy |
30/31:
251-254 |
| Lightfoot,
D. W |
3:
111-119 |
| Lightman, Alan |
50:
181-199 |
| Lin, Maya |
53: 183-200 |
| Lincoln,
Abraham |
29: 9-21 |
| Linguistics Chocie across
Genres: Variation in Spoken and Written English |
40: 415-421 |
| Lobb,
E. |
4:
181 |
| Lodge,
D. |
4:
160-161; 8: 1-12;
16: 51-84; 17:
169-195; 19/20:
265-276; 21:
265-275; 32/33:
131-140; 32/33:
229-233; 43:
219-245; 52:
145-146; 53: 107-122 |
| Loftis,
John |
16:
263-266 |
| Loitering
with Intent |
17:
211-224 |
| London,
Jack |
15:
221; 18: 205-220 |
Lone Ranger and Tonto Fistfight
in Heaven (The) |
39:
115-134 |
| Looking for the Possible
Dance |
41:
133-144 |
| López
Ortega, R. |
4:
176 |
| Lord
of the Flies |
3:
66-73; 10: 119-140;
22/23: 69-82 |
| Lord
of the Rings (The) |
4:
23-30 |
| Lorde,
Audre |
37: 101-110 |
LOVEScapes: Changes in Prototypical
Senses and Cognitive Metaphors
since 1500 |
50:
316-317 |
| Loy,
Mina |
36:
193-214; 37:
111-123 |
| Luedtke,
Luther |
28:
223 |
| Lurie, Alison |
48:
129-146 |
| Luria, A.R. |
50:
101-110 |
| Lydgate,
John |
10:
175-182; 36:
159-172 |
| Lyons,
J. |
3:
122; 5: 149 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Macbeth |
17: 281-294 |
| MacDermott,
D. |
4: 45-50;
11: 169-170; 17:
321-323 |
| MacEwen,
Gwendolyn |
35: 285-288;
48: 179-192 |
| Maggot
(A) |
30/31:
129-150 |
| Magus
(The) |
24:
119-129 |
| Mailer,
Norman |
15:
222; 16: 21-40 |
| Man of Law's Tale |
39:
275-294 |
| Man Who Cried I Am (The) |
39: 33-46 |
| Mann, Sally |
53: 183-200 |
| Manso,
Peter |
15:
222 |
| Marabou Stork Nightmares |
41: 187-196 |
| Maracle,
Lee |
28:
161-176 |
| Marcos Pérez, Pedro Jesús |
50: 9-10;
50: 11-15 |
| Makus, Robert Christian Thomsen |
48: 270-273 |
| Man in the Moone (The) |
50:
71-86 |
| Marlowe,
Christopher |
9:
13-40; 9: 144-145;
10: 43-63 |
| Marroni,
Francesco |
15:
208-213 |
| Marshall, Paule |
43: 119-132;
45: 205-214 |
| Martí, José |
43: 119-132 |
| Martin, Jim |
40:
245-249 |
| Martín Gaite, Carmen |
45: 169-183 |
| Martínez
Bernardo, Rafael |
24:
163-164 |
| Marvell,
Andrew |
21:
165-177 |
| Matthews,
P. |
3:
123 |
| Matthiessen, Christian |
40:
251-256 |
| Maverick Poets (The) |
52:
69-79 |
| Mc’Clure,
Michael |
1:
35-46; 2: 51-69 |
| McCullers,
Carson |
13/14:
153-179 |
| McEwan,
Ian |
17:
113-129 |
| McEwen, Gwendolyn |
39:
307-321 |
| McIlvanney, William |
41:
87-101; 45: 151-167 |
| McInerney. Jay |
41:
259-278 |
| McLaughlin, Barry |
15:
218 |
| McLaughlin,
J. |
8:
177-178 |
| McMahon, Marie |
46:
227-229 |
| Medieval Linguistics |
47:
9-154 |
| Medieval Literature |
47:
9-154 |
| Mehta, Hindu Rama |
45:
101-119 |
| Memories
of Rain |
35:
77-89; 42: 267-278 |
| Memory
Gardens |
15:
191-194 |
| Merchant
of Venice (The) |
9:
144-145 |
| Mercian
Hymns |
19/20:
101-112 |
| Meredith,
George |
13/14:
259-274 |
| Meridian |
21:
79-86 |
| Messerli, Douglas |
52:
169-172 |
| Metafiction and Myth in the
Novels of Peter Ackroyd |
40:
407-409 |
| Metaphors |
26/27:
27-46 |
| Methodology |
24:
159; 25: 171-173;
32/33: 143-152;
32/33: 163-181;
38: 9-147 |
| Miller,
D.A. |
5:
152-153 |
| Miller,
J. |
3:
125 |
| Milton,
John |
9:
87-93; 13/14:
303-304 |
| Min-ha
Trinh |
37:
199-218 |
| Minister’s
Black Veil (The) |
11:
180 |
| Mitchell,
W.O. |
9: 129-136 |
| Modernism |
25:
117-130 |
| Modernismo en la novela inglesa
(El) |
52:
173-175 |
| Mohanram, Radhika |
45:
270-271 |
| Molesworth,
Charles |
6: 104-106 |
| Monkey Beach |
43: 145-159 |
| Montero Fleta, Begoña |
49:
245-246 |
| Monroy,
R. |
3: 121 |
| Monsignor
Quixote |
17:
237-244 |
| Monteiro, George |
37:
231-235 |
| Monterrey,
Tomás |
30/31:
257-258 |
| Montes,
Consuelo |
24:
160-161 |
| Moody,
B. |
6:
123 |
| Mooney, Ted |
39:
231-248 |
| Moor's
Last Sigh (The) |
35:
61-76 |
| Moraga,
Cherríe |
35:
271-282; 37:
69-87; 37: 89-100 |
| Moravsik,
E. |
5: 153 |
| More,
Thomas |
3: 74-84;
6: 1-14; 32/33:
107-130 |
| Morrison,
Toni |
21:
59-66; 21: 67-77;
21: 97-107; 22/23:
225-232; 39: 169-190;
43: 119-132 |
| Mort,
Simon |
15:
219 |
| Mortality
and Mercy in Vienna |
10:
141-156 |
| Mortimer's Deep |
41: 155-167 |
| Morvern Callar |
41:
145-154 |
| Much Ado About Nothing |
41:
209-233 |
| Muggiestone,
P. |
13/14:
301-302 |
| Mukherjee, Bharati |
42:
267-278; 45:
15-30 |
| Munro.
Alice |
26/27:
193-195; 36:
215-229 |
| Murdoch,
Iris |
5: 156;
9: 139-142; 10:
65-80 |
| Muriel
Spark |
16:
275-278; 17:
211-224; 19/20:
161-176; 22/23: 51-68 |
| Murphy,
Sheila |
37:
221-223 |
| Musica
Ficta |
28:
127-138 |
| My Life |
39:
191-207 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Packard, William |
17: 336-337 |
| Pagoda (The) |
48:
119-127 |
| Pair of Tickets (A) |
45:
15-30 |
| Palmer,
A. & V. |
4:
181 |
| Pamela |
7:
73-86; 40: 403-406 |
| Paradise
Lost |
9: 87-93;
13/14: 303-304 |
| Parakot, Manjula |
53:
149-161 |
| Parkinson
de Saz, S. M. |
8: 184-187 |
| Parkinson,
S. |
3:
126; 3: 127-128 |
| Parrinder,
Patrick |
17:
307-314 |
| Parris, David |
48: 270-273 |
| Passage
to India (A) |
22/23:
83-100; 29: 197-206;
35: 77-89 |
| Passing and the Rise of the
African American Novel |
45:
276-277 |
| Passion
(The) |
28:
177-193 |
| Paston
Letters |
3:
14-45; 46: 13-33 |
| Pastorela (La) |
43:
133-144 |
| Patea, Viorica |
45:
274-275; 53: 200-203 |
| Pearl
MS. |
4:
169-171 |
| Pearson,
M. |
15:
222-223 |
| Peck,
J. |
7:
153 |
| Peraza,
Guillén |
36:
185-192 |
| Percy,
Walker |
16:
267-269 |
| Perelman,
Bob |
18:
97-100 |
| Pérez
Gállego, Cándido |
6: 116-117;
6: 123-124 |
| Perfection of the Morning:
An Apprenticeship in Nature (The) |
43:
37-58 |
| Perloff,
Marjorie |
18:
283-284; 39:
347-349 |
| Persaud, Sasenarine |
c |
| Peter Ackroyd |
38:
255-260 |
| Phillips,
Caryl |
28:
109-126 |
| Phillips, Tom |
50:
101-110 |
| Phonemics |
8:
81-97 |
| Phrasal
Verbs |
8:
182-183 |
| Piece
of Monologue (A) |
15:
7-23 |
| Pike,
K. L. |
7: 151 |
Pink Snow: Homotextual Possibilities
in
Canadian Fiction |
50:
313-315 |
| Pinter,
Harold |
9:
95-111; 16: 121-130;
24: 73-88; 26/27:
240-241 |
| PIP Anthology of World Poetry
of the 20th Century (The) |
52:
169-172 |
| Poe,
Edgar A. |
5:
95-102; 8: 149-160;
21: 279-283; 22/23:
111-127; 40:
397-401 |
| Poems for April |
52:
105-127 |
| Poems for the Millennium |
52:
15-18 |
| Poetry On & Off the Page |
39:
347-349 |
| Politi,
J. |
4: 167-168 |
| Poor Things |
41: 117-131 |
| Porcel García, María
Isabel |
|
| Porcupine (The) |
39: 295-305 |
| Portillo
García, R. |
4:
179; 16: 290-291 |
| Portrait
of the Artist as a Young Ma50:
310-312n (A) |
24:
107-118 |
| Possession |
48:
61-75 |
| Post-colonial
Studies Reader (The) |
32/33:
253-255 |
| Postcolonial Theory: A Critical
Introduction |
39:
343-346 |
| Postcolonialism |
45:
7-214 |
| Postmodernism |
19/20:
221-232; 25:
117-130; 26/27:
241-242; 38:
265-266 |
| Pound, Ezra |
42:
364-365 |
| Powell, Patricia |
48:
119-127 |
| Power,
Kevin |
17:
335 |
| Powys,
John Cowper |
4:
65-69 |
| Pragmatics |
11: 165-168;
12: 181-182;
22/23: 199-206; 25:
83-94; 26/27:
149-161; 30/31:
109-128 |
| Pratt,
John Clark |
18:
251-256 |
Premodificación nominal
en el ámbito
de la informática:
estudio contrastivo
inglés-español
(La) |
49:
245-246 |
| Prensa en los orígenes
del español en los Estados Unidos (1823-1833) (La) |
38: 267-269 |
| Prieto
Pablos, Juan Antonio |
16:
289 |
| Prieto
Pablos, J.A. |
4:
179 |
| Prussian
Officer (The) |
17:
295-303 |
| Publishing |
53: 9-103 |
| Pujals
Gesalí, E. |
7: 138-140;
13/14: 303-304;
26/27: 181-185 |
| Pullum,
G.K. |
5: 141-143 |
| Punter,
David |
15:
201-207 |
| Pushkin,
Alexander |
24: 19-32 |
| Pym,
Barbara |
17:
67-95; 35: 11-29 |
| Pynchon,
Thomas |
10:
141-156; 19/20:
301-307; 22/23:
217-223; 50:
101-110 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Saeed, John I. |
36:
241-243 |
| Salami,
Mahmoud |
30/31:
109-128 |
| Sampson,
G. |
3:
121-122 |
| Samuels,
M.L. |
5:
129-132 |
| Sánchez Macarro, Antonia |
40: 415-421 |
| Sands
of the Well |
37:
227-229 |
| Santano
Moreno, Bernardo |
26/27:
236-237 |
| Santaolalla, Isabel |
45:
267-268 |
| Santisteban,
F. |
3: 120 |
| Santoyo,
Julio César |
12:
181-182; 16:
291 |
| Sawicki,
Jana |
25:
175-179 |
| Scandalous Bodies: Diasporic
Literature in English Canada |
43: 258-259 |
| Scented
Gardens for the Blind |
35:
154-167 |
| Schelling, Andrew |
52:
23-34 |
| Schmidt,
M. |
4:
162-166 |
| Science |
50:
17-212 |
| Science Fiction |
50: 21-35 |
| Scott,
Walter |
9:
55-69 |
| Scottish Literature |
41:
13-183 |
| Scourge
of Hyacinths (A) |
35:
185-193 |
| Second Stage |
50:
201-212 |
| Sell,
R.D. |
5: 155 |
| Selvadurai,
Shyam |
35:
91-102; 45: 121-141 |
| Semantics |
9:
71-85; 12: 7-33;
12: 171-180;
15: 35-52; 19/20:
127-146; 25:
145-161; 26/27:
105-118; 36:
233-239; 36:
241-243; 44:
309-313; 46:
173-182 |
| Semiotics |
17:
324-327 |
| Sexton
Anne |
37:
125-141 |
| Shadow-maker:
The Life of Gwendolyn MacEwen |
35:
285-288 |
| Shakespeare,
William |
4:
181; 5: 147;
6: 116-117; 9:
41-54; 9: 144-145;
12: 55-73;
12: 123-135; 15:
35-52; 16: 290-291;
17: 281-294;
24: 143-145;
29: 9-21; 41:
209-233; 50:
57-69 |
| Shame |
8:
119-137 |
| Shaw,
Patricia |
3:
120 |
| Shelley.
Percy B. |
29:
179-185 |
| Shepherd's Tale (The) |
43:
133-144 |
| Sheridan
Le Fanu, Joseph |
22/23:
101-110 |
| Sheridan,
R.B. |
29: 23-42 |
| Sherman, Cindy |
53: 183-200 |
| Shifting Continents/Colliding
Cultures: Diaspora Writing of the Indian Sub-continent |
45:
270-271 |
| Shipley,
J.T. |
3:
107-108 |
| Showalter,
Elaine |
21:
11-17; 21: 285-286 |
| Silent
Snow, Secret Snow |
19/20:
315-321 |
| Silliman,
Ron |
17:
337-338 |
| Sillitoe,
Alan |
10:
205-208; 15: 157-167 |
| Simal González, Begoña |
43: 263-266 |
| Simpson,
J.M.Y. |
5:
149 |
| Simpson,
O. J. |
32/33:
241-251 |
| Sinclair,
Upton |
32/33:
93-106 |
| Sir
Gawain and the Green Knight |
13/14:
35-53 |
| Situación de la historia:
ensayos de historiografía (La) |
46:
227-229 |
| Skura,
M.A. |
4: 179-180 |
| Smith,
Stan |
10:
228-230 |
| Smith,
A.J. |
10:
231-233 |
| Small
World |
32/33:
131-140 |
| So I Am Glad |
41:
133-144 |
| Sociolinguistics |
4:
45-50; 7: 21-38;
11: 178; 12:
35-53; 15: 101-112;
18: 231-241;
19/20: 277-288;
24: 155-156;
25: 67-82; 26/27:
17-25; 26/27:
131-148; 26/27: 237-238;
28: 213-215 |
| Sola
Buil, R. |
4: 177 |
| Song,
Cathy |
37:
199-218 |
| Song
of Solomon |
21:
97-107 |
| Southern,
Terry |
21: 241-256 |
| Southey, Robert |
41:
279-281 |
| Soyinka,
Wole |
15:
147-155; 35: 185-193 |
| Space |
50:
201-212 |
| Spada,
Nina |
30/31:
251-254 |
| Spain |
3:
120; 7: 61-72;
8: 13-31 |
| Spanish
Language |
3:
99-100; 16: 225-237 |
| Spanish
Lexicology |
5: 103-12 |
| Speech
Act Theory |
17:
269-280; 24:
89-104 |
| Speed of Darkness (The) |
50:
201-212 |
| Spender,
Stepen |
7: 145-147 |
| Spenser,
Edmund |
9:
144-145 ; 16:
105-119 |
| Sperber,
Dan |
12: 183-184 |
| St Aubin
de Terán, Lisa |
30/31:
151-161 |
| St.
Mawr |
11:
25-34 |
| Stein,
Gertrude |
18: 101-123;
39: 339-342 |
| Steinbeck,
John |
9:
137-138 |
| Stewart,
Douglas |
16:
205-211 |
| Stone,
E. |
8:
174-176 |
| Stoppard, Tom |
50:
201-212 |
| Stratmann, Gerd |
47:
249-251 |
| Structuralism |
4:
160-161 |
| Sula |
21:
59-66; 21: 67-77 |
| Sullivan,
Rosemary |
35: 285-288 |
| Sweet,
Henry |
10:
209-216; 10:
217-221 |
| Swift,
Jonathan |
16: 173-181;
16: 213-224 |
| Swift,
Graham |
38:
183-194 |
| Sybil |
21:
187-227 |
| Systemic
Linguistics |
29:
141-149 |
| Systemic Functional Linguistics |
40:
13-256 |
| AUTHOR
/ SUBJECT |
ISSUE
NO.: PAGES |
| Waddington, Miriam |
21: 141-144 |
| Wakefield |
7:
95-98 |
| Wakefield Plays (The) |
46:
183-198 |
| Walcott,
Derek |
35:
245-254 |
| Walker,
Alice |
13/14:
181-195; 21:
79-86 |
| Walker,
Margaret |
37:
39-53; 37: 55-67 |
| Walker, Riddley |
11:
125-132 |
| Walter,
Hans |
11:
176-177 |
| Walwicz,
Ania |
28:
139-149 |
| Wanderer
(The) |
26/27:
47-56 |
| Warner, Alan |
41:
145-153 |
| Warren,
Joyce |
10: 236-237 |
| Wasp Factory (The) |
41: 197-205 |
| Waste
Land (The) |
6:
59-72; 6: 95-99;
53: 200-203 |
| Waterland |
38: 183-194 |
| Watt |
10:
183-193 |
| Watts,
C. |
7:
151 |
| Waugh,
Evelyn |
11:
119-124 |
| Waugh,
Patricia |
11:
178-179 |
| Webb,
James |
30/31:
41-58 |
| Webster,
John |
10:
157-173 |
| Weiximann,
J. |
9:
146-147 |
| Weldon,
Fay |
25:
131-142; 35:
31-45 |
| Welsh, Irvine |
41: 187-196 |
| Wells, H.G. |
50:
37-55 |
| Weltens,
Bert |
15:
219 |
| Werlich,
Egon |
3:
105-106 |
| Westarp,
Karl-Heinz |
15:
214-216 |
| Wharton,
Edith |
21:
131-139; 45:
217-231; 48:
147-162 |
| What,
Where |
15:
7-23 |
| Whistling Woman (A) |
50:
145-160 |
| White,
Jonathan |
29:
237-239 |
| White
Devil (The) |
10:
157-173 |
| Wife's Story (A) |
45:
15-30 |
| Wilde,
Oscar |
15: 53-66;
22/23: 23-35;
29: 43-56; 41:
235-248; 48:
163-177 |
| Wilkins, John |
50:
87-100 |
| Williams, John A. |
39:
33-46 |
| Williams,
Tennessee |
16:
183-192 |
| Williams,
William Carlos |
13/14:
217-229 |
| Willis,
J. |
5:
154 |
| Wilmot,
John |
21:
165-177 |
| Wilson,
Deirdre |
12:
183-184 |
| Wilson, Robert |
50:
201-212 |
| Winterson,
Jeanette |
28:
177-193 |
| Wirth,
J.R. |
5:
153 |
Wisdom Anthology of North
American Buddhist
Poetry (The) |
52:
23-34 |
| Wolsey,
Thomas |
3:
74-84 |
| Woman
Who Rode Away (The) |
11:
35-46 |
| Women
Indo-Anglian Poets: A Critique |
35:
289-290 |
| Woolf, Virginia |
48:
15-29 |
| Word Virus: William S. Burroughs
Reader (The) |
39:
61-77 |
| Wordsworth,
Wiliam |
29:
179-185 |
| Writing |
15: 67-89;
53: 9-103 |
| Writing from the Borderlands:
A Study of Chicano, Afro-Caribbean and Native American Literatures |
43: 255-257 |
| Wuthering
Heights |
15: 169-179 |
